hana yoo





Splendour in the grass
Anthropology of Dead Body
Rapture
When will the earth be destroyed?

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Fluctoplasma – 96h kunst diskurs diversität
Screening | Hamburg, Germany | 23.10 - 25.10. 2020

Hysteric C_Diskurs Berlin
Solo Exhibition | Berlin, Germany | 29.10 - 11.11. 2020

14th Busan International Video Art Festival
Screening | Busan, South Korea | 18.11 - 28.11. 2020

Heimat, Herz, Orte_Galerie Bernau
Group Exhibition | Berlin, Germany | 09.04 - 29.05. 2021

KI Camp_Futurium
Group Exhibition | Berlin, Germany | 27.04. 2021

Mark
Yoji (瑤池)
16mm, color, 2min., 2019






The pain of water is endless.
- Gaston Bachelard ‘Water and Dreams’



The 16mm experimental film ‘YOJI’ is an attempt to recreate the childhood traumatic memory of the artist, who witnessed a woman walking slowly into the sea as if she was trying to take her own life. Since then, the artist has been agonizing about the anxieties towards human mortality and the relationship between a female body and water.

'YOJI’ (瑤池), in ancient Chinese mythology, is the name of a fantasy lake located between the world of mortals and immortals, owned by the great goddess of life and death, Seo-Wang-mo(西王母, Xi-wang-mu). Water has, throughout various culture and literature, often symbolized purification, reverie, the passage to death, and feminine nature. Humans born from the water created by the female body eventually flow into the water through the ground. Was it the woman who is going into the water, or the water encroached upon her? The scene that the artist witnessed penetrates into her life and flows to the anthropocenic pre-trauma.

Rapture and Yoji, 2 films are representing obvious contrast not only within the medium of screening but also through narratives, questioning chronological perception of time and the relation of technology.






















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CTM/transmediale Vorspiel Opening_Acud Macht Neu gallery
Group exhibition | Berlin, Germany | 17. 01. 2020